At age 30, Iranian filmmaker Mania Akbari was diagnosed with breast cancer and underwent a double mastectomy. A Moon For My Father (2019), an essay film made in collaboration with her partner, the British sculptor Douglas White, positions Akbari’s illness within layers of personal and national history. Rich in texture and astonishingly intimate, Akbari’s film […]
Read more
Set in an alternate-reality socialist democratic United States, Lizzie Borden’s speculative fiction Born in Flames (1983) finds the country still plagued by social injustice. This feminist classic is a low-budget, grassroots production, documentary-like in its reflection of a long-gone grungy yet vibrant downtown New York City. Made at the height of the Reagan years, it […]
Read more
Director Jessie Maple is a true trailblazer: the first African-American woman to join the International Photographers of Motion Picture & Television union, she also established a long-running venue for independent Black filmmakers in her own home. New York Women in Film and Television called Maple’s work “a forerunner of the independent, minority filmmaking that would cultivate directors […]
Read more
On October 16, 2019, to inaugurate a year of programming around the One Book One Northwestern 2019-2020 selection, Hidden Figures: The Untold True Story of Four African-American Women who Helped Launch Our Nation Into Space, Block Cinema welcomed Chicago-based filmmaker (and Northwestern Film Studies PhD) Yvonne Welbon to present her 2003 documentary Sisters in Cinema. […]
Read more
Local filmmaker and Northwestern professor Kyle Henry’s Rogers Park captures the life, diversity, and flavor of the northside Chicago neighborhood in its story of two couples as they attempt to keep their relationships afloat. Henry and screenwriter Carlos Treviño craft a film that is both universal in its characters’ raw and authentic emotional lives and […]
Read more
On February 25, 2015, the Block Museum was lucky to host renowned filmmaker, writer, and composer Trinh T. Minh-ha. Minh-ha addressed the way that reality, in its social and historical dimension, is not a material for artistic reflection or political commitment. Rather, reality is what powerfully draws one to cinema and yet, it cannot be […]
Read more