Damien Chazelle’s meticulously-realized film First Man (2018) follows astronaut Neil Armstrong (Ryan Gosling) and wife Janet (Claire Foy) on the long and difficult path that led from the death of their daughter Karen in 1962 to his 1969 moon landing. While FIRST MAN has no shortage of thrilling astronautical sequences, Chazelle is less interested in […]
Read more
Roger Corman’s visionary 1963 sci-fi classic X: The Man with the X-Ray Eyes follows a scientist (Ray Milland) who develops eyedrops that allows him to see beyond the spectrum of visible light, penetrating mysteries of the human body and the deepest reaches of the cosmos. What starts out as a hospital drama about medical ethics […]
Read more
This season Block Cinema in among 40 national organizations selected by the Coolidge Corner Theatre and the Alfred P. Sloan Foundation as 2022−23 recipients of the Science on Screen® grant program. Selected recipients receive funds to create Science on Screen events, which pair expert-led discussions of scientific topics with screenings of feature and documentary films […]
Read more
In December 2022, New City Magazine shared its list of the 50 most influential professionals in Chicago’s film and media community, including Block Cinema’s own Michael Metzger, Pick-Laudati Curator of Media Arts, and Malia Haines-Stewart, Associate Film Programmer. The magazine includes an essay articulating Block Cinema’s work and unique impact. Michael Metzger and Malia Haines-StewartPick-Laudati Curator of […]
Read more
A pioneering work of Moroccan women’s cinema, A Door to the Sky (Bab Al-Sama Maftuh, 1988) by Farida Benlyazid is a powerful feminist tale of Islamic spiritual awakening and the interplay of cultural heritage and modern identity. The Block Museum of Art screened the film in October 2022, in conjunction with its presentation of the […]
Read more
What does climate change actually look and feel like? From forest fires in the American West and desertification in northern China to climate migration in coastal Louisiana and Latin America, the ongoing climate emergency is a global problem that demands radically new, collaborative modes of scholarship and creativity. For the past few years Michael Metzger, the […]
Read more
In May 2022, Block Cinema organized “To Render the Infinite,” a screening that brought together scholars and filmmakers to consider the role of the camera and the moving image in capturing and cultivating generational and familial relationships. The unique program connected the work of Kevin Jerome Everson, Paige Taul, & zakkiyyah najeebah dumas o’neal in […]
Read more
In April 2022, Chase Joynt, director of Framing Agnes (2022), visited Block Cinema for two evenings of programs. On the first night, a workshop and screening on Joynt’s filmmaking practice welcomed students and visitors interested in documentary media, trans studies, gender studies, and queer & trans archives. The workshop event was followed the next day […]
Read more
Over three nights, Block Cinema organized a series of talks and screenings with three leading video artists and filmmakers. These wide-ranging conversations touched on everything from landscape representation to abstraction, and from environmental segregation to racial violence. I don’t think experimental films in and of themselves are accessible or inaccessible. I think the apparatus around […]
Read more
On February 25, 2022 filmmakers Frédéric Moffet, Joelle Mercedes, and Deborah Stratman joined Block Cinema for a conversation on their short films centered on birds and birdwatching practices. With works by Kevin Jerome Everson, Margaret Tait, Frédéric Moffet, Deborah Stratman, and additional artists, the program explored human-avian relationships from a variety of formal, emotional, and conceptual perspectives. I often […]
Read more